WHAT IS THIS?

If matter is 

slow energy 

and energy 

is fast matter, 

then what 

are we even 

talking about? 

Physics tells  

what it does, 

but can't say 

what it is—

because 

even whatness 

is really something 

else. 

*

Our favorite books 

are made 

of poems, but 

what in the world 

are poems made of? 

Us, I guess—

hot plosives,

rough edges,

and incipient glances—

and that's just

what we are;

what 

were the chances?

ACCEPTANCE

We pride ourselves often 

on becoming 

better people, 

but perhaps it's 

our dimness—

our thick impenetrability— 

which makes 

the affirmative grip 

of love 

not just effective,

but possible

and necessary—

perhaps 

priceless amalgams 

of loathing and lust, 

like seams 

of gold, lie so 

deep at the center of us 

that our humanity 

would collapse if they 

should ever be retrieved;

the less we understand 

about these 

fables that inhabit us, 

the more 

we are willing

and able to believe.

ONCE IN A LIFETIME

Remember when 

we thought that we could 

simply trade labor 

for a glimmer 

of its opposite—

for the long, happy, 

untrammeled, 

callus-free life 

of the children we 

once resembled 

on another distant Earth,

where the moon 

routinely takes the place 

of the sun 

without 

the mechanistic explanation 

of eclipse? 

Would those kids ever think 

that the sweat 

of the intellect 

is somehow equivalent 

to that of the flesh—

that safety is a substitute 

for the raison d'être

of love,

or an orbital ellipse 

for the halo's perfect circle—

that one thing 

ever truly takes 

the place of another

when they know, 

even in the throes 

of their youth,

that two pairs of lips 

cannot make,

or replace—

or even summarize

the bliss—

of that nervous 

first kiss?  

KILLER POEM

A shriek 

with its splinters 

and spikes sanded-off, 

its creases 

all filled, smoothed, 

and polished 

with the thick 

shellac of distance—

until 

it shines 

with all the uneasiness 

and pathos 

which play 

in the shadows that eclipse 

your own face 

as it groans

at the sight of its 

grimacing reflection 

in some 

opaque expression's 

strange transparent finish. 

MANKIND

Dreamt I tried to speak 

to the sparrows 

like the serpent 

to the woman—except,

not to tempt, just 

to tell them

they were naked;

thought I'd watch 

them soar up at once 

to cover themselves 

with shorn cloud scraps. 

But instead, 

two dozen 

hard black eyes 

fixed mine back 

from the crab-

apple branches, 

and asked me not:

who told you 

what that was?

but: son of soil, doomed 

to work the earth—

who could have cursed you

to sing 

such a tuneless, 

lean, and unlovely

song to us?

TRUISM

The heart of most matters

is so trivial 

that it's radical—

crisis is the bleeding ink 

which blooms its 

beautiful terrible roses 

all through the tattered 

blotting paper 

of existence 

with the wastefulness 

of death and quiet

poise of gravity,

til you're just 

about ready to toss 

the whole mess

but still recoil 

at the thought 

that one day

you'll be forced

in any case 

to give it all away. 

INFINITE LOOP

Perhaps consciousness is 

recognizing the motions 

as such 

while you're going 

through them, instead 

of only after—

to become, after death, 

less a ghost 

than a photon 

that has no past 

no future, 

no friction—

and for whom 

the notion of transport 

from point to point is trivial. 

It is pointless 

to establish a motive 

or inaction; 

before you walk 

through its 

unbounded door,

the future is a repeating 

remainder 

called nowhere,  

and as soon as you 

leave here, you'll 

already be there.